In which Kendyl tells you why Horns was a good movie and just an alright adaptation.
Category Archives: Medium
Spine-tingling new trailer for Fifty Shades of Grey
Well then- is really all I could think to say after seeing the newest trailer for Fifty Shades of Grey. For those of you that don’t know, that is what I say when I really can’t express what I have just seen in words adequate enough for the situation. I really need to stop watching racy trailers at work. That aside, this trailer was a little more….well, MORE.
More charged. More erotic. More everything. I literally had that weird squishy-chill inducing feeling deep in my stomach. I have to applaud the people who cut this trailer together. They gave more of a story line to this installment then the last. You see Christian actively pursuing Anastasia and her, despite her better judgment, giving herself over to it.
It is intriguing and you can physically feel the anticipation building in your body as the trailer reaches its end. The choice of “Haunted” sung by Beyoncé was more than perfect as well.
What do you all think? Spine-tingling or were you left wanting? Leave your comments below!
Kendyl was on this week’s Maze Runner Chat!
This week, Kendyl joined Ben and Dillon on Maze Runner Chat to discuss chapters 3-5 of The Scorch Trials. You might remember Ben from the episode of Adaptation where we covered The Maze Runner film.
Be sure to go give it a listen!
Maze Runner Chat #16: “Outside The Box”
by Benjamin Holmquist (@Ben_Holmquist)
On this week’s episode, Ben and Dillonare joined byKendyl from Adaptation Podcast for a great discussion on the upcoming film adaptation of ‘The Scorch Trials,’ as well as chapter analysis and listener feedback. Contest winners are also announced.Contact us:
Twitter: @MazeRunnerChat
mazerunnerchat@gmail.comYou can check out Adaptation Podcast at AdaptationPodcast.com, or on Twitter @AdaptationCast!
If you like Maze Runner Chat, PLEASE write us a review in iTunes! It will help us get more exposure, so we can continue posting new episodes.
Happy listening!
Cancelling shows this early in the fall season is totally ‘Selfie’
As we pass the quarter season mark, it seems it is that time of year when networks “trim the fat” of their weekly line-up and begin to cancel shows. The first to go are generally the half-hour comedies that aren’t making the grade. This year Selfie is on the chopping block. It was new to television this season and was created by Emily Kapnek, who also created Suburgatory.
This delightful show, staring Karen Gillan, most known for playing Amy (Amelia) Pond on Doctor Who, and John Cho, known for many things but especially as Harold from Harold and Kumar go to White Castle and more recently as Andy Brooks in Sleepy Hollow, is a new and neat take on the Pygmalion/My Fair Lady story.
Gillan plays Eliza Dooley, a top sales rep at a pharmaceutical firm, whose obsession with social media, lack of real interpersonal skills, and questionable professional attire make her unpopular with other staff. Cho plays Henry Higgs, an executive at the same firm, with a flare for being a stodgy workaholic. The two, as in the original story, are a mismatched pair, but unlike the original it is Eliza that initiates the path to transformation.
After an embarrassing misread of signals from a co-worker leads her to make a strong pass at him, a married man, she finds herself airsick and makes a mess of herself when the barf bags break on her. After this, Eliza becomes aware that she has no real friends, only followers. The next day, Henry is being praised at a meeting for re-imagining and re-branding one of the company’s products. Eliza figures that he might be able to do the same for her, and goes to him for help. Strangely and sadly, that only lasts an episode, he continues to help her, but she is back to her old tricks. I guess old habits do die hard, and good thing; they wouldn’t have a show without it!
In this day and age, good etiquette and being proper are not held with the same weight as they were years ago, when “polite society” was something to aspire to rather than just a term used when scolding someone’s who burps or farts in public or at the dinner table, elbows on it and all. I don’t, by any means, want to glorify a class society, where people need to “know their place”, but am only referring to it as the setting and general whole to the original story. By taking that away, it changes the way the characters seem, act, and fit together.
Where the original story takes a well respected man of society, Henry Higgins, and has him take on a wager that he can turn a lower class, cockney, Eliza Doolittle, into a proper lady, this new one takes a similar route, but borders on turning the story on its head, by making us and Henry understand that it might be him that needs a radical change. That is not to say that Eliza is without her own faults. She is still classless, but more to today’s standards: vapid, self-obsessed, almost totally annoying in my opinion, and a slave to what she thinks her followers want (as Henry said, “It’s not an outfit of the day, it is just an outfit” and “don’t tweet it, eat it” to Eliza as she snaps a selfie with her fancy macaroon).
She also wears, as I said, questionable work attire, which although her clothes are not super revealing, they are provocative. I do not stand to shame her on this, most of her clothes have a great style to them, but I do not appreciate that she wears them just to get the attention of lonely doctors, hence top sales rep, and even male coworkers, propagating the continuation of sexism. It irks me a bit… actually, it irks me a lot.
Still, to see the two of them try to balance each other out is an adorable display each week, with Eliza and Henry giving each other a goal to reach, i.e. Henry should not work for the entire weekend and Eliza should do a good deed just for the sake of doing a good deed. Although their relationship seemed to be hitting a climax earlier than expected, it might have come at a good time. It’s a nice giddy jolt to give to the few fans the show has and might bring in some more.
In last week’s episode (#5 Even Hell Has Two Bars), Henry and Eliza find themselves at the boss’s ranch, where after a string of disappointments for Henry, he realizes that Eliza really is his better half, and brings out a more human, less robotic, persona in him. Eliza is dazzled when Henry rides to her on a majestic white horse to apologize. He claims that he chose the least majestic horse and did not mean it as a romantic gesture, before pulling the famous line “I’ve grown accustomed to [your] face.” This again colors Henry’s character new shades of socially inept and emotionally stunted. The line was said directly to Eliza, instead of to himself in the privacy of his own home, which led her to reply with a quizzical “thanks?”, leaving a bit of awkwardness that we have come to know and love with these two. The kicker is that she tweets a selfie she took with Henry and the horse, saying it got no likes and she would delete it, but she doesn’t and Henry likes/favorites it. It was a nice “awww” moment.
For some reason, they aired two episodes last week, and in the next one their sexual tension is back to its regular level, so it might not be that they went too far too fast with the pacing of the series, but it left me wondering, if for any reason this does not actually get cancelled, where would they go from here?
I say all that because despite many websites saying that Selfie is in fact cancelled, the real news that I have read merely states that the network will not be ordering more than the original 13 episodes for this season. I have read elsewhere that this can be a sign that the show will be cancelled, but some first seasons really are only 13 episodes. This also happened to shows like A to Z, but it has not been officially cancelled. The fact that they aired two episodes last week is not a good sign, but this week’s episode aired as normal, and we shall see what happens to the rest. It might mean that the network will give this show a second chance. It’s not unheard of to “un-cancel” shows.
I hate to say it, but I have become a loyal follower of Eliza and would like to see where they could go with this show. This, of course, includes the unsung heroes of the show like Charmonique the receptionist and her son, who are amazing actors and characters and have livened up and rounded out the premise of the show. And I can’t forget Larry, an awkward lab guy that seems to constantly latch onto Henry, and Bryn, Eliza’s neighbor and the only real normal person in the show, giving Eliza something to aspire to. The side characters really take the pressure off the main story of Eliza and Henry and add a bit more comedy, as well as give Eliza reason to not be so damn annoying. The show has gone over the top at times, but we live in a crazy world filled with crazy characters, so I like it. If it does officially get cancelled, I will be very sorry to see it go, as will many of my friends, but I cannot say that I didn’t see it coming, in fact I called it after the pilot.
Tell us what you think of the show and its characters. Are you glad to see it go? If you wish it to not be cancelled, what plea would you make to the network?
Vlog: Best Friendship Chemistry in Books and Movies
Adaptation #104: A Feast of Trust Issues
In our first book-only Game of Thrones discussion, the hosts cover A Feast for Crows by George RR Martin in order to prep themselves for season 5. They take (too much?) pleasure in the downfall of some, hope against hope that some are still living and make predictions for the future of the series and the television show.
Check out our other GoT episodes #81: A Game of Secret Targaryens and #92 It’s Anyone’s Game of Thrones
iTunes – Twitter – Facebook – Tumblr – YouTube – Download This Episode
For a similar discussions, check out our episodes on Guardians of the Galaxy, Once Upon a Time season 3, X-Men: Days of Future Past, and Sherlock season 3.
Adaptation #103: Alexander and the Delightful, Wonderful, Not Bad, Very Good Film
Dorin and Kendyl discuss the children’s book by Judith Viorst along side the film and are extremely pleased with how well the themes are portrayed on screen and how the additions take them one step further. There might be a little rant about the word “Fommy” and the road-safeness of the vehicle, but overall they give it a thumbs up!
iTunes – Twitter – Facebook – Tumblr – YouTube – Download This Episode
For a similar discussions, check out our episodes on The Boxtrolls, Frozen, Epic and The Invention of Hugo Cabret.
Vlog: You’ve Got the Good Old Parfumerie Around the Corner
Staff Recommendations – October 2014
See what the Adaptation staff have been reading and watching in the month of October!
Hustle
I recently started watching a 2004 BBC show called Hustle, which is about a group of con artists in London, and each episode features a new and intricate sting. It’s fascinating, and you definitely have to pay close attention to what’s happening if you don’t want to miss anything. If you like the Ocean’s movies, you’ll love this show, too. It pits the characters in that awesome gray area where they’re criminals, but you root for them anyway. This is helped along by the fact that they usually target the rich, mighty and corrupt, so it’s satisfying to see the mark fall.
-Jess
Gotham
Gotham is a great twist on the classic Batman story. Following Detective James Gordan as he begins his career in the Gotham PD, he is put on the case of the murder of Thomas and Martha Wayne where he first meets Bruce and they form a friendship that acts as an origin story of sorts for Batman. Along the way, Gordon also comes up against the crime rings currently plaguing the city as well as future Batman villians like Selina Kyle and Oswald Cobblepot. We are so used to the super villains that are slightly outlandish characters (though we love those characters) and now we get to see a real Gotham with real corruption issues. I am thoroughly enjoying it!
-Dorin
Fables by Bill Willingham
I’ve been reading through the Fables comics published by Vertigo. This comic series features a slew of characters from fairy tales and fables who were forced to flee their homeland after being attacked by the mysterious villain, the Adversary. They take cover in New York City and form a clandestine community called Fabletown, where they live side-by-side with us normal, mundane people. The story arcs in this series are imaginative and diverse, including anything from murder mysteries to animal rebellions to prophecies–all involving fairy-tale characters who are perhaps not as familiar as we would expect.
-Jenn
From Dusk till Dawn: The Series
I watched From Dusk Til Dawn: The Series on Netflix, which is an extension of the film and comic franchise. It follows the Gecko brothers as they elude Texas Ranger Freddie Gonzalez and the FBI, commandeer an RV owned by the Fuller family and end up at a strip club full of vampires, where they have to fight for their lives- say it with me now- till dawn. That satisfied both my horror and hot guy quotas for the month (Wilmer Valderama = baby daddy, HOLLA).
-Sarah
Horns by Joe Hill
The only piece of non-Adaptation-related media that I’ve consumed this month was Horns by Joe Hill, which I reviewed for River Ram Press. So I’m going to be a little lame this month and just link you to that review here. But be sure to stick around the Adaptation blog because next week I’ll be reviewing the film counter-part to the novel starring Daniel Radcliffe.
-Kendyl
That’s it for us this month, but be sure to leave your own recommendations in the comments!
An Enjoyably Dark Fantasy – Horns by Joe Hill
Kendyl wrote a review on Joe Hill’s Horns for River Ram Press and next week, after the film starring Daniel Radcliffe comes out on October 31st, she will be reviewing the movie here on Adaptation!
River Ram Press #InspireWriters #InspireReaders
Horns by Joe Hill
A Book Review by Kendyl Bryant
In preparation for the new film starring Daniel Radcliffe and to properly get into the Halloween mood, this month I read Horns by Joe Hill. I’m not into outright horror and thankfully Radcliffe has a habit of choosing the kind of scary films based on books that I do enjoy (e.g. The Woman in Black by Susan Hill). Horns is actually less of a horror novel, and more of a dark fantasy. A really, really dark fantasy. To the point where I had trouble getting through some parts, but also frustratingly needed to keep going so I could find out what was going on.
Horns begins with Ig Parrish waking up from a drunken night he can’t remember to find a pair of horns sprouting from his skull. After a visit to the doctor’s office and a few very off-putting…
View original post 522 more words
Vlog: Best Horror Adaptations // Horror Month
Lost Boys and Giant Spider-Scorpions: A Recap of The Maze Runner from a Non-Reader’s Perspective
*** WARNING: This post contains spoilers for the whole of The Maze Runner film ***
Another in a long line of young adult dystopian tales has hit the big screen. The Maze Runner based on the novel by James Dashner came out a few weeks ago and I finally got the chance to see the film. Though I have never read the books, I have heard good things from those that have.
I have to admit, I am rarely unprepared to compare a book and movie adaptation. I usually devour the books and then eagerly (or sometimes dreadingly) wait to see the story brought to life outside my head. It was interesting to go into this film not having any idea what to expect. In a way, I was just like the boys in the film. I was thrust into the world of the Glade just as every boy there was, with no knowledge of how it came to be, or why they were there.
The story begins to unfold as Thomas, played by Dylan O’Brien, is introduced to this new society; a few dozen ragged boys that have created this community in the middle of the maze. There is a certain and very important social and economic order to things in the Glade. Each person plays his part from Alby and Newt, the two-man leadership, to the boys who plant the food and repair the buildings. Though, the most respected of the group are the Runners. Runners enter the maze each day and map the entire thing, looking for a way out.
At night, the maze closes its walls and shifts, becoming home to the monsters that live within. The Grievers, a sort of freaky part spider, part scorpion, part alien, part robot thing that terrorizes anyone unlucky enough to be caught in the maze after the walls close. Thomas is warned away from the maze the moment he is informed about it. There are strict rules that he must obey. The only people allowed to enter the maze are Runners. No one survives a night in the maze.
Seemingly predictably, Thomas becomes the first to survive a night inside its walls; even killing a Griever.
Shortly after, the introduction of a girl, Theresa, into the Glade throws the order off balance and challenges everything the boys have built. One of the enforcers, Gally, who has been against Thomas the entire time, has more animosity than ever when the girl seems to recognize Thomas. This plot point could have caused much more trouble, however Theresa’s character gets demoted to sidekick status and you lose getting to know someone that could be a great character. She even brought a cure for the sickness that comes from being stung by a Griever. This cure also restores the takers memory. But, she was more of a mini side plot than anything major. Almost inconsequential.
The plot thickens when a piece of the Griever shows Thomas and the main runner Minho the way out of the maze. This causes a major consequence in the Glade. The people that have trapped the boys in the maze open the gates and let Grievers into their home where they decimate anything in their paths. Many boys are killed, including the leader, Alby. This leads Thomas to stab himself with Griever poison so he can take the cure and remember.
What he remembers is not exactly surprising. He worked for the people that put all the boys in the maze. So did Theresa. He leads a group of boys through the maze and, though they are attacked and almost killed, they make it out. Come to find completely blown apart lab with a message from the head of the program dead and a message waiting for them. The world is gone; they are the last hope for humanity. They are whisked away by armed militants who promise to keep them safe.
Though, they throw us a twist at the very end. The masterminds are not dead, and they have tricked the kids into thinking they are safe. Instead they are on their way to their next test to see if they can save everyone. Duh DUH DUH!
All in all, the movie was not bad. The characters were likeable enough. Though, I might be a bit on the bias side since I absolutely adore Dylan O’Brien. Any other Teen Wolf fans in the house? He plays passion, directness and curiosity perfectly. And he was absolutely brilliant in this movie. The dynamics between all the boys almost reminds me of Lord of the Flies, minus the whole killing the weak kid part.
The decision to leave this movie open ended was a bold move on the part of the director. It implies that he really does believe that all the books are going to be made into movies. I have no doubt that the next one will indeed grace the silver screen at some point in the near future. But, for the love of god, please leave the spider, scorpion, alien, robots out of it. Yikes!
Adaptation #102: There Were Grievers in the Glade, James!
Along with a special guest from Maze Runner Chat, our hosts talk about the film adaptation of James Dashner’s The Maze Runner. The scary Grievers, the emphasis on Gally and the loss and gain of certain themes are just a few of the great discussions to be had, as well as who the hell was responsible for supervising those creatures?
Also, check out our episode on the novel here! And the next novel, The Scorch Trials here!
iTunes – Twitter – Facebook – Tumblr – YouTube – Download This Episode
For a similar discussions, check out our episodes on The Giver, Divergent, The Hunger Games/Catching Fire, and Ender’s Game.
Adaptation #101: I’m Gonna Miss You When You’re Gone Girl
After seeing the film adaptation of Gone Girl, our hosts discuss how Gillian Flynn brought her novel to the screen. While many things were stunningly accurate, there were still a few bits that our hosts missed, and other bits that felt even more intense than the book.
Also, be sure to check out our episode on the novel!
iTunes – Twitter – Facebook – Tumblr – YouTube – Download This Episode
For a similar discussions, check out our episodes on Game of Thrones, And Then There Were None, Sherlock, and Carrie
Vlog: Underrated Movie Monsters // Horror Month
Gracepoint: Why aren’t we just watching Broadchurch?
There have been many disastrous (Life on Mars, Coupling, etc) and some surprising (Three’s Company, Sanford and Son, etc) US remakes of UK television. The most recent is one without a verdict, called Gracepoint – a US remake of Broadchurch, a BBC show that only aired over a year ago.
American television is not unfamiliar with the suave leading man or stylish lady who turns out to be an adorable Brittan putting on a great American accent (like Sonya Walger as Sally in the US version of Coupling). Here, however, we have a British actor, David Tennant, reprising his role as the outside detective who is hired in the position that the leading lady was promised. I put it that way because in Broadchurch his name is DI Alec Hardy and in Gracepoint he is Detective Emmett Carver, but essentially it is the same role.

I love David Tennant and was an avid watcher of Broadchurch when it aired in the UK, so when I heard they were making an American version called Gracepoint, I was non-too happy. But when David Tennant signed on to reprise his role, but with an American accent, I was curious. I have heard David Tennant do an American accent before, when he played Peter Vincent in the 2011 remake of Fright Night, but somehow his accent in this is a bit weird. I’m not sure if it is just because I have become accustom to his delicious Scottish accent, if he has more lines or more consecutive lines in this show vs. Fright Night, or if he is putting on a special twist to his accent because of the character. It’s not bad or overly jarring, but sometimes it’s a bit nasally.
So far, only two episodes have aired, but it is holding true to the original. The differences are minimal, the family whom the murdered boy belonged to is a Hispanic mix rather than the straight up English white, but that just plays up the melting pot that is America. Other than that it is just the cast, obviously, but there is definitely something to be said about it.
We have not yet gotten to know all the American characters well enough yet to speculate the overall casting, but some of the ones we have make me cock my head in question. Anna Gunn plays the lead opposite David Tennant, Detective Ellie Miller, the American version of the character of the same name played by Olivia Colman. It might just be biased opinion, but the first episode Anna’s portrayal was just more annoying than I remembered Olivia’s. There is a particular scene at the beginning where Ellie returns to work after a vacation, only to be told that the promotion she was promised has been given to another. She proceeds to run into the bathroom and calls her husband to vent. This happens the same in both version of the story, but Olivia’s portrayal of that moment was one of betrayal, frustration and anger and Anna’s was whinny and defeatist.
I felt a bit offended by it, honestly, as it looked like she was playing the victim and was going into a stereotypical “womanly” hysteria. This only amplified the line later, when she reaches the body and her new partner and she has to explain to him that she is a detective and not a bystander trying to get close, and he says “Really?” like she couldn’t be a detective. I believe the line is in both version because DI Alec/Detective Emmett are both a bit arrogant and are not used to small town detectives or politics. But the American one just seemed to strike the wrong chords.
I thought it was odd as well, that they hired a British actress for the owner of the Hotel/B&B. Do not get me wrong, I love Sarah-Jane Potts, but they hired her to play a Brittan, which is a weird offset to David Tennant playing an American. It’s not a good or a bad thing, just a question of – why?
The sad thing is that, even though I am born and raised American, brought up with American TV, I recognized more of the British actors in Broadchurch than I do with the American ones in Gracepoint. I do not know if that biases my opinion or not, but what does kind of bias me, is this:
In a world that is connected by technology, where things like Hulu plus can give you shows from all over the world, past and present, and there are cable channels dedicated to bringing in ‘foreign’ shows, like BBC America… Why did they feel it necessary to remake this show?
I had the good fortune of being in the UK while Broadchurch aired, but my parents easily watched it on BBC America. The same goes for things like Downton Abbey. Americans have to wait a little while for it to air on PBS, but it still airs in the United States. Neither of which have been bombing in the ratings and in need of a re-do or reboot.
So, if a show is this new, and so well done to begin with, it begs the question – why bother remaking it? To put an American spin on it? Would an English small town be that different from small town America?
Now, I will not claim to be unbiased when it comes to American remakes of ‘foreign’ TV or movies – in fact the track record of some of my favorite movies or shows getting redone for America has been a piss poor one and so I am generally against it. If you want to watch Godzilla – see the original Japanese, Pulse – the Japanese, Life on Mars – the British, Coupling – the British, Gracepoint – watch Broadchurch.
Still, this remake is shaping to be a decent one, with generally the same tension and who-dun-it feel. There is also the promise of a different ending, which means that although so far the secrets are the same, the murderer might be different. I have come to realize that sometimes it is said to get the views, so the mini-series end might disappoint me, but hopefully I will be enjoying the ride as much as I did with Broadchurch. Where this will fall in the spectrum of remakes, is still to be decided.
*** Broadchurch Spoilers Below ***
My predictions for it, if they actually change the killer, would either be:
Rev. Paul Cotes – because in Gracepoint, he seems a lot shadier than in Broadchurch, and I mean, Kevin Rankin is no Arthur Darvill
or Mark Solano’s business partner – whose name was Nigel in Broadchurch, but they have changed the name and I don’t think we have been formally introduced to him just yet.
*** End of Spoilers ***
The killer, once revealed in Broadchurch, was a fabulous shock – so although it would be a failure on their part, it wouldn’t be the worst to have that again in Gracepoint… but then again, at that point you might as well just watch Broadchurch.
I guess my point is that everyone who hasn’t seen it should watch Broadchurch!
Have you been watching Gracepoint? What do you think so far?
Is there any reason that you are watching is instead of Broadchurch (if that’s the case)?
Let me know in the comments!
Adaptation #100: Get Out of Your Box, Trolls
Kendyl and Dorin have a million great things to say about the film The Boxtrolls as well as the book it is based on, Here Be Monsters! by Alan Snow. The two pull out some fairly intricate metaphors from the stories and for once, don’t lament that the book and movie are very different.
iTunes – Twitter – Facebook – Tumblr – YouTube – Download This Episode
For a similar discussions, check out our episodes on The Hobbit, Mariah Mundi, Percy Jackson, Epic/The Leaf Men, and The Wonderful Wizard of Oz.
Vlog: Worst Horror Adaptations // Horror Month
Adaptation #99: Gone Crazy on You Girl
The hosts have some things to say about the roller-coaster that is Gillian Flynn’s Gone Girl, complete with some serious character discussion, questioning of Nick’s decisions and trying to figure out if anyone actually had the capacity for human emotion.
EDIT: Check out our episode on the film!

