Forever… by Judy Blume A book review by Kendyl Bryant
I’m 26 years old, female, and have just finished my first-ever Judy Blume book. It’s probably a miracle that I’d made it through adolescence considering her reputation for pivotal coming-of-age stories. But, for some reason, I just never picked one up. Thus, my reaction to Forever comes from a slightly different perspective than its intended audience and yet, I thoroughly enjoyed it all the same.
Forever follows Katherine, a senior in high school, from the night she meets Michael and through the couple’s experience with first love. The two share a hopeful, fun outlook and are determined to stay together when they head off to college the following year. But when they have to separate the summer before-hand for jobs in different states, their relationship is tested by distance and new friends.
Blume’s portrayal of first love is beautifully realistic…
The Giver by Lois Lowry was many of our hosts first experience with YA distopias and is truly unique to what the genre has to offer these days. We discuss the society in which Jonas lives and the revelations that he must go through when given memories of the past. Speculating on the upcoming film, however, has us all feeling a bit apprehensive.
EDIT: Our episode on the Giver film can be found here.
After covering The Fault in Our Stars novel by John Green in a previous episode, the hosts return to talk about the new film adaptation of this teenage life story. They agree that the film was extremely accurate, but still missed a few of their favorite moments and worry that some themes were lost.
It seems that John Green has been all over the book blogs lately given that The Fault in Our Stars film is only a few weeks away and it was recently announced his previous novel, Paper Towns would be following in those film adaptation footsteps. All this press has inevitably sent new readers in the direction of John’s books, looking to follow up TFIOS with another deeply-felt, smart novel.
If that is you, I would humbly recommend that before latching on to John’s solo work, you pick up his collaborative novel with David Levithan called Will Grayson, Will Grayson. The novel centers around two high school boys living in the greater Chicago area and both named Will Grayson. Their story is told in alternating chapters with John…
In this episode our hosts focus on The Fault in Our Stars by John Green which follows a teenage girl with cancer as she falls in love for the first time. The hosts discuss the different ways that Hazel and Gus approach life, their parents and the criticisms about their intelligence and pretension.
I have a new obsession and her name is Yulin Kuang.
That sounds creepy, but if there’s one thing I think I can trust internet fandom with, I hope it’s understanding that stage where you have just discovered a new creator and then must proceed to watch everything they have ever created. This has recently happened to me when I came across Shipwrecked‘s series Kissing in the Rain.
Kissing in the Rain is a transmedia YouTube project of the Shipwrecked team that includes Yulin Kuang, Sinead Persaud and Sean Persaud. It’s first chapter has just concluded and chapter two is due to begin May 5. Chapter one followed actors James and Lily, played by Mary Kate Wiles and Sean Persaud, as they are frequently cast as romantic leads in films that have them kissing in the rain. Each episode starts with the movie scene leading up to the kiss and then the director yells cut and the couple reverts to the actors awkwardly trying to fill the post-kiss silence.
The transmedia bit comes in with the encouragement and canonization of fan fiction. With each episode Yulin Kuang releases a companion drabble to add to the story of the two actors and then fans follow her lead. After going through the related tumblr tags and reading what the fans come up with, Yulin decides what to canonize and it gets reblogged on the official Shipwrecked tumblr and is official canon from that point forward.
If you’re interested in starting to watch, there is a very helpful post that pulls everything together here. There’s just a week until chapter two starts which will be following a different set of actors, Audrey and Henry, played by Sinead Persaud and Sairus Graham.
But at the risk of sounding like an infomercial, that’s not all! After I got caught up on Kissing in the Rain, I needed more, so I moved on to a previous Shipwrecked series called A Tell Tale Vlog where Sean Persaud takes on the role of Edgar Allan Poe as he vlogs, writes poetry of questionable quality and gets haunted by Lady Lenore played by Sinead Persaud. EA Poe tends to bring to mind thoughts of a rather somber nature and Shipwrecked expertly takes advantage of that, turning somber into hilariously awkward. There’s even something of a crossover in the last episode with Kissing in the Rain episode 4, which just happens to be my favorite.
And if you thought that I stopped there, you haven’t been paying attention. After finishing A Tell Tale Vlog, I moved on to Yulin Kuang’s personal YouTube page where she has a series called I Didn’t Write This and various other original projects, including a trailer for an upcoming short film called Irene Lee, Girl Detective. But since this is a blog that focuses on adaptations, I think I should at least try to pretend that is what I’m doing.
In I Didn’t Write This, Yulin creates visual representations for poetry such as T.S. Eliot’s The Love Song of J. Alfred Prufrock and excerpts from novels like John Green’s Looking For Alaska. A personal favorite of mine is her adaptation of Shakespeare’s Sonnet 116 and among the few videos that I haven’t watched yet is an excerpt from Rainbow Rowell’s Fangirl as I fear the potential spoilers. Even if poetry isn’t your thing, I seriously suggest watching and continuing to follow this series. Yulin’s videos are gorgeously created and will make you feel things, just like the rest of her work.
Finally, Shipwrecked used their week off from Kissing in the Rain to release their newest project- a music video featuring Mrs. Rochester from Jane Eyre as she sings a parody if “When Will My Life Begin” from Tangled. Titled Bertha’s Attic Song, Sinead Persaud plays Rochester’s neglected wife as she toes the line between her distress, her insanity and her obsession with fire. They even work in a little crossover at the end with Alysson Hall of The Autobiography of Jane Eyre web-series.
If you’d made it this far, I do hope that something on this list of creations has caught your eye enough for you to delve into the world of Yulin Kuang and Shipwrecked. Everything that I’ve seen so far has been impeccably executed with an obvious passion for film making and that sense of fun which keeps you wanting to see more.
Let us know in the comments if you’ve already been following one or all of these projects or if something in particular caught your eye. You can also talk to us on Twitter @AdaptationCast and Tumblr.
This story has captivated the world. It’s that simple.
From the Queen’s favorite production in London, to the creation of an award winning film and finalizing its popularity by bringing the original novel back to bestseller lists, this is the story of a farm boy and his horse, and how their lives become disrupted by the start of World War 1. One day the biggest concern is how Albert will keep his horse, Joey, out of his father’s hands. The next day, Joey is taken by the army to become part of the proud British Calvary. After that, Albert takes himself to the very edge to recover the life he lost the day Joey was taken. Together, horse and boy, fight their own battles in a war that no longer has room for proud war horses, rather, the battlefield is laden with tanks, machine guns and barbed wire.
It is clear that this adaptation from book to stage has been successful. From London to New York City to Melbourne to Berlin, audiences flock to the theater to sit through the most heart-wrenching production of an English boy, a German general and the horse that brings the humanity out of those he touches.
When I sat down in the round theater, I knew I had volunteered for something that would open the floodgates, though I could’ve have guessed what that really meant. With the music bursting into my chest, I was caught in the first breathes of the production. From foal to stallion, Joey pranced around the stage with the echoing excitement of Black Beauty. Three men worked the puppet that becomes Joey and not once did I ever notice them on the stage. Joey trotted, galloped, charged with the grace of his puppeteers for the entirety of the production and as an audience member you can only be captivated by the brilliance of the artist who created life out of metal and gears.
By the end of the evening, you could see the tears flow from every member of the audience – it’s the blessing of the round theater in which we sat. Husbands comforted wives, men pretended not to wipe the tears from their eyes, the woman next to me was inconsolable and I myself couldn’t dry my cheeks fast enough. There was a pride in the room as our world darkened. It was not pride for the English Calvary, though that was there. It was not pride for soldiers or victory or the strength the in horses were made march to march off to war. The pride that was felt by all of us was that even in the darkest moments there are those amongst us who never forget our humanity. The strength to sacrifice for a cause that is just, to care for those who cannot care for themselves and to remember that there is always a choice.
This is one adaptation that cannot be missed. The message is there, the success is clear.
Following up on our episode on Veronica Roth’s Divergent, the team gathers around to talk about the film adaptation by Neil Burger. While they welcomed some of the changes, there were others that they felt needed clarification, as well as some characters that needed more screen time.
Have a listen and tell us if you agree with our assessment! Leave your thoughts in the comments!
Back in September when we made our Adaptations We Wish Existed vlog, I smugly suggested that my pick, Will Grayson, Will Grayson by John Green and David Levithan was the most likely to happen given all the recent press on The Fault in Our Stars adaptation. Well, I got the author right, just not the book.
Earlier this week, Deadline announced that the team behind the TFIOS movie will be joining up again to bring John Green’s Paper Towns to the screen. Scott Neustadter and Michael H. Weber will once again take on the challenge of writing the screenplay while Marty Bowen and Wyck Godfrey will reprise their roles as producers. This time, however, John Green himself will be getting a executive producer credit. In addition, Nat Wolff who plays Isaac in TFIOS will be stepping into the center of Paper Towns as the main character, Quentin.
While it might seem presumptuous to sign the team up for another project when the TFIOS film is still two months away from release, Green comes complete with a built in audience that leaves no doubt of the film’s success, at least in the number of fans that will run out to see it opening weekend. How well they like it will be another story, but if the author’s reaction is anything to go by, it will be amazing.
The experience of making The Fault in Our Stars was really wonderful because of the people involved: They all brought their talent and professionalism to the story and I’m so proud of the movie they made.
It was all so fun and magical (and frankly so different from my previous Hollywood experiences) that to be honest I wasn’t particularly keen to make another movie—unless I could work again with people I really trust.
And now it has happened!
I’ve already admitted that Paper Towns wasn’t my first choice for a second John Green novel adaptation, but that doesn’t make me any less excited about the announcement. Especially since the writing team was also behind (500) Days of Summer, a film that attempts to dismantle the manic-pixie-dream-girl trope just as Paper Towns does.
Still, I’m not giving up hope that one day I’ll get to see Tiny Cooper on the big screen.
What John Green novel would you most like to see on film? Tell us why in the comments!
The team’s discussion of Divergent by Veronica Roth stays focused on the details of this futuristic Chicago and how each of the factions function within it. Then, in their character discussion, one host reveals her disappointment in how a certain arc ended. They also have a little crossover fun in trying to match the factions to the Hogwarts houses.
What did you think of Divergent? Leave all your thoughts and movie predictions in the comments! And please leave out any Insurgent/Allegiant spoilers!