
In this episode, Adaptation reviews Hidden Figures by Margot Lee Shetterly and the 2016 film that’s based on it. The hosts marvel at the fact that they were unaware of these amazing women and how hard math is while comparing the two.
Question(s) of the Week: Do you know of any other hidden figures that should have movies made about them?


The hosts prep for the live-action remake by watching Disney’s 1991 classic, Beauty and the Beast and recounting the well know fairy tale by Jeanne-Marie Leprince de Beaumont.

After gushing over the book on the
Jess and Jenn rave over the book A Monster Calls by Patrick Ness, discussing the monsterousness of “the monster” and other characters, the morals of the monster’s stories and what they expect from the film.
Kendyl and Dorin return to the merry ol’ land with Ozland (2015). Inspired by The Wonderful Wizard of Oz, the hosts bat around several theories about the world of the film and come back to the same theme as the original: you already have what you’re looking for.
Adaptation dives into the Wizarding World for the first time! They discuss American wizarding society, the revelation of the obscurious, and all the beasts included in Fantastic Beasts (2016).
Dorin and Kendyl discuss “Story of Your Life” by Ted Chiang and Arrival (2016), get into the paradox of the Book of Life, and wonder at how the adaptation amped up the dramatics.
Adaptation covers the film Doctor Strange (2016) in this episode, talking pace, character development and representation while looking ahead to what Marvel has in store next.
The hosts cover both the book and movie versions of The Girl on the Train and wonder who was really surprised by the ending. But on the bright side, discussing these complex female characters turns out being just the type of deep conversation that they love having.
The hosts discuss the film Miss Peregrine’s Home for Peculiar Children (2016), whether there’s room for a sequel and if they think Miss Peregrine is actually a villain as well as the couple controversial choices the filmmakers made.