Episode #197: Wake Up, Wakefield

In this episode, Adaptation covers the short story Wakefield by E.L. Doctorow and the film based on it. With a very dislikable character at the forefront, it gives the hosts lots to discuss.

Question(s) of the Week: What is a fitting punishment for Wakefield? How you would you react to his return?

Continue reading

Interview: Robin Swicord on Wakefield

Kendyl interviews writer and director Robin Swicord about her film Wakefield (2016), based on the E.L. Doctorow short story of the same name which follows the strange and complex journey of a man who secretly starts living above his own garage, watching his family go about their lives in his absence.

Continue reading

Episode #193: Morphitudinal Power Rangers

The hosts get nostalgic over the new Power Rangers (2017) film, talk representation, and stress the vital importance of Krispy Kreme.

Question(s) of the Week: Who was your favorite original Power Ranger? Who was your favorite in this film?

Continue reading


Spanish_Godzilla_2014_Poster“Damn, I love the sound of Godzilla’s roar,” was the first thing my husband said as we walked out of the movie theater, and I have to admit it was pretty badass. I was extremely excited for this movie, which is kind of ironic since I was only introduced to Godzilla in college. My introductory film was Godzilla vs. Mothra (1992). I never thought a moth would be such a viable villain, but it was amazing and every Butterfree butterfly Pokémon I ever played has been hence forth named “Mothra”.

Some of my favorite moments were pretty classic; the slow emergence from the sea, the charging tail, the surprisingly parallels between Godzilla and Aaron Taylor-Johnson’s character and even a heart wrenching moment when the female MUTO’s babies are killed, but I was also impressed with the plot. The film begins with us seeing an old skeleton of a monster (later coined MUTO) and some dried out egg sacks. Then we skip forward to a mysterious radio active steam explosion in a nuclear plant that kills a few scientists and renders the city inhabitable.

This ties into the discovery of a pair of MUTO no one thought was had survived having a San Franciscan romance. There were so many little touches, and some character arching that made the movie feel just a tad more satisfying then if it had just been fight scenes, interesting relationships between the characters and back-story that made it logical for the characters paths to cross and intertwine.

There was a very nice group of well-known actors: Elizabeth Olsen (Silent House), Aaron Taylor-Johnson (Kick-Ass 2), Ken Watanabe (The Last Samuri), Juliette Binoche (The English Patient) and of course I’d be ridiculously neglectful if I didn’t mention Bryan Cranston (Malcom in the Middle, Breaking Bad). The only weird thing about the acting was that Ken Watanabe played this introverted scientist. He mumbled a lot and leaned on things looking gloomy and forlorn and didn’t really do or say much. However, he was an expert of sorts on the history of Godzilla and past MUTOs so it made sense for him to be there.

I could’ve used more Godzilla smash scenes, but then again, I don’t think there could ever be enough of that. To be fair, there was quite a bit and the director had this way of showing just a little taste of Godzilla fighting before cutting away to something else. I really enjoyed those teasers and the fight scenes kept getting longer and more detailed, leading up to the mega fight scene that is a classic cannon ending.

The monster’s themselves looked believable, nothing bulky or awkward. It was actually very realistic looking and I can appreciate that attention to detail. Even simple things like when Godzilla dived under arm ships; it created a wave that rocked the ships. I know I’m gushing and fan-girling a bit, but it was just so well done! Overall I was very pleased and (if you couldn’t have guessed) I am extremely in favor of future films and the revival of the Godzilla movie franchise.